for the 8th release on soweso were proud to bring you parisian house music guru chris carrier. logic sunrise and street machine are both examples of how modern club house should sound like. high production value and amazing drive make these two sure shots for house djs worldwide. on the b-side we bring you two rare gems from chriss musical vault. love supreme is an amazing collaboration between chris and long time friend hector moralez and one night stand is a playfull classic house affaire.

the eighth edition of cocoon recordings 10inch series leads us to berlin, where martin müller and daniel stroeter are working under the alias youandme as djs, label managers and producers for labels such as rotary cocktail, 2020vision and compost for more than 15 years now. >raw” is the ultimate soundtrack for the very special acoustic comprehension both musicians have in setting an absolute imperative on the dancefloor by constantly rising noise levels, but without ever neglecting the funk. living in berlin for only a short time, 23-year-old ilario alicante from tuscany / italy has made his appearance by releasing records for cécille, break new soil or sci+tec over the last three years, especially >vacaciones en chile< was an essential part of the club summer 2008. >balance< purifies modern house music down to its essences, using a 2-minute break with a central organ theme to keep your synapses tightly clenched before a massive bass kick unlocks the tension. just a perfect acoustic devotement to the balance of the raw.

berghain resident norman nodge offers up his first full ep for ostgut ton with three contemplative tracks. expanding and contracting with countless subtleties and enriched with bold artistic license. >the happenstance< is an enthused explorations into the many musical zones existing outside of techno. a warm and fresh embodiment of 80s wave electronica - like a classic carpenter score - only a few elements are needed for his narrative to shine. the impression of distant melodies exist in purposefully excluded moments of rest, where nodge uses restrain rather than release to interact with our very perception of the music. a fuller club cut, >body to body< floats into spacious, acidic zones. with the impression of sinking into a disorientating, resonating industrial space, this snaking and hypnotic exercise takes us in a very different yet equally rewarding direction to its sweeter a-side cousin. an ornate exercise in reduction and challenging timing, >breakdown< is a slow and measured display of nodges unique synthesised visions. this short exploration piece is a brave and gritty suggestion of whats to come next from this talented producer

its a lonely business, bringing the piano into the 21st century.
barcelona-based francesco tristano is establishing himself as one of the most original and eclectic musicians of his generation. trained as a classical pianist and having recorded a number of classical albums, francesco broke new ground with >not for piano<, the album that launched the french label infine in 2007, containing his compositions as well as acclaimed piano versions of detroit techno classics of >strings of life< and >the bells<. francesco teamed up with detroits own carl craig for a remix of >the melody<, and, subsequently, project versus (featuring symphony orchestra and moritz von oswald) as well as the legendary innerzone orchestra (as pianist, keyboardist and arranger).>idiosynkrasia<, francescos latest album on if, was recorded and mixed at planet-e communications detroit.
comes with code for free mp3 download.

with the highgrade disharmonic orchestra, the berlin label has in the last year, found itself taking a somewhat new direction. todd bodine, tom clark, philip bader, daniel dreier and dale have bundled their musical creativity together and shown audiences at watergate and other key locations in the capital city, their authentic and premium quality live performance and let club-goers connect with their very unique and exciting brand of musical experimentation. this unique live atmosphere now comes to you as an ep release. three tracks that exude the groove of a sweaty night on the dance floor

back at the tail end of the last millennium bbe released a comprehensive overview of house music in the latter stages of the 20th century. >henry street music: the story so far - 1993 to 1999< was a slice of superior contemporary club classics featuring all of the key players, architects and music makers of the day. todd terry, armand van helden, kenny dope, dj sneak, 95 north, robbie rivera, davidson ospina, ralphi rosario, mike delgado, king britt, and a handful of others under various alter egos and nom de plumes. it was a given that they were all great records, what was all the more impressive was that they all originated from the same recording home, henry street music. a label conceived and devised by johnny demairo, an italian-american from jersey who talked the talk, could easily have been an extra in the sopranos, and was known affectionately as the shark. to others he was just plain johnny d, and one half of the production duo johnick with studio partner nicky p palermo jr. tracks such as d2- d2 by dj duke are collectors classics and will be re-released and re-mastered on vinyl for the first time in over 10 years

records like this dont come very often. thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. after the ingenious june white label came out last summer, these days records office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. although well-hidden in a secret back-alley of west london where june lives and dreams music, his unique approach on acid house, synth wave, chicago house and 80s nostalgia was too good to be left unnoticed and has been favored by people such as panorama bars steffi, mathematicss owner hieroglyphic being, terre thaemlitz and the clone record store to name but a few. almost half a year after his >alleviation< ep, junes debut album >cytheria< has been realized and features a 12inch sampler with two brand new tracks and two remixes by critically acclaimed dj sprinkles on one of junes older tracks >lost area<. terre thaemlitz aka dj sprinkles, who has been well renowned for his contributions in music and arts in general for the past two decades, delivers an epic remix that takes one to a forgotten musical territory somewhere between early warp records, hacienda, 80s new york club sound and older balearic music. the albums cd version includes 10 new songs and 4 from the artists back catalogue and retains a great balance between dance floor orientated tracks and synth-pop.

back by popular demand. keith alexander shelby aka k-alexi, the true chicago house legend gets a quality reissue of the mega classics risque 3 & club mcm under the supervision of dj deep. all the magic is there, a highly fashionable item signed bu the inventor of urban music.

you are part of the living history of electronic music in this country. over 25 years we have been offering our unique philosophy club, on two premises:techno and innovation.vanvas race can be distinguished into two stages: vanvas club and vanvas outlimits.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

brainiac kicks off with a dark and foreboding intro, then crashes into a powerful, rough and ready roller. menacing punchy beats, obscene chest thumping basslines and plenty of clever edits, guarantees this tune to maintain high energy levels in any club. this track can only described as absolutely devastating! the reverse side opens with a tense synthline that drops into fully charged neurofunk. although this track is more down tempo track, its sub warbling basslines, complimented by rattling percussion and steppy breaks, means legacy is sure to get the dancefloor swaggering.

in each song seuils personal experience completely merges into the club music experience. leaving no rest or residue, he becomes a real clubber and played aready at rex club, nouveau casino or la scene bastille...

roland appel is the well loved and respected producer and dj, based in southern germany. quickly recognised for his work for sonar kollektiv or compost, we are proud to announce his debut for poker flat recordings. the beautifully original and stand-out >fleurs du mal< is a classically themed masterpiece in the making. warm, phasing synth energies build before introducing cosmic choirs and bell melodies that blurs the boundaries between mysterious cult soundtrack and club bomb! the deep searchin >black leather< shows yet more techno promise with a brooding, textural synth at the centre of a full-on exploration into dark, tactile and satisfyingly underground territories. a true slow-burner, and a post tech-house killer in its own right, this detailed and accomplished cut forms the ideal futuristic backdrop to take us into 2011

next sure tocadisco hit, this time with robbie rivera, phil fuldner & umek support

2010 war ein unglaubliches jahr für fritz kalkbrenner, der mit seinem debütalbum sowohl bei kritikern und publikum unglaublich erfolgreich war. nach >facing the sun< folgt mit dem instrumentalen club-burner >kings in exile< nun die zweite single. die maxi punktet noch mit einem der superraren remixe von booka shade, außerdem steuern die suol-macher chopstick & johnjon noch eine famose house-version bei.

aldo cadiz is one of the most well known djs and producers from chile and head of the label disco royal music. in the year 2000 he opened his own club in chile called casa club which was his homebase for him and many many djs from all over the world. his 1st release on lust und freu.de musik called >spanked ep< contains two very energetic and groovy tracks called >fuego< and >spanked<. the track >fuego<, which he produced together with his friend flavio lodetti from italy has a very deep basic structure which is decorated with spacey click drums, toms and snares rounded off by an amazing vocal that gives this track a deep soul. the track >spanked< is a classic cadiz style house track and pure rhythm. a very dry piece straight for the dancefloor.

nice price deal !!! along with the tracks from the ep all of the >in arms< remixes have been getting great coverage amongst the blogs and online editorial sites including placements on nme, guardian, gigwise, ilikemusic, virgin, spinner & rcrdlabel. currently supporting chapel club on their tour.

with full releases just confirmed in the states and australia, the hype over his huge remix of classic ebtg track >missing< has only just started – yet dutch supremo fedde le grand cant seem to stop himself, exploding out of the stables with massive club banger >autosave<.

wildpitch vocal house classic originally released on the us strictly rhythm in 1991, produced by dj pierre !! special restock!!

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

boys noize and housemeister, 2 good old friends from berlin with a lot of love for analog found together again to rave in the studio. after their first collaboration in 2006 under the name of eastwest, they are now brining us 3 new jams you don¥t want to miss. shizzo is the track youd probably expect from these 2 f..ckers:loud, noizy and stupid! its up and down parts shake the club like you were sitting in a rollercoaster - beware this is not for everyone. nbaxx is a new breakbeat track. breakbeat?yeah! with a hint of inspiration by lfo freak, this one comes quite minimal but hard, just the way these buddies like it. saturday the secret a side on this maxi is a disco-tech track, with moving arpeggios and big melodic break where spheric disco pads cool you down before you and the kids jump up to this piece of 2011 disco music.

the latest addition to the ostgut roster, detroits ryan elliott, is a recognised force on the international dj circuit - yet his productions are few and far between. now re-located in berlin, the new berghain resident contributed his track >abatis< to the >fünf< anniversary compilation, setting the tone with dark and brooding techno undercurrents. these two new tracks bring ryans production skills to the fore, both slow burning and refined recordings that show off his love for bassline-led, straight forward club tools.

new x press 2 single taken from their forthcoming album.

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

supported by: radio slave, nicholas (no more hits), douglas lee (tbd), daniel wang, jim stanton (horse meat disco), jacques renault, space ranger, dj rocca (ajello), baby g (dance disorder), stefano e bene (compost records) and club silencio… cocktail d amore records is the latest venture from italian duo discodromo and berghain resident dj boris, an extension of the crews monthly berlin party of the same name. the label will be a new home for their productions, collaborations and remixes, as well as those from their global network of producers. as such, the first release, cocktail d amore, is something of a mission statement, showcasing a variety of names with their interpretation of electronic disco music in 2011

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

hot latin/gypsy anthem remake! we no speak vaya con dios?

contempt music production brings the next 12inch record to the headbangers with 4 unbelievable stomping hardtechno tracks. everybody of you know the brazilian combo >pet duo<, and now they are on cmp! two wonderful tracks full of pure energy will make the partypeople go crazy in the club! labelhead orman brings you his >cmp anthem< on this vinyl and show you one of the most beautiful melodys composed by himself! all in all this record is full of hard techno beats and 1 melody song

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

zckr02 is a limited release of 450 pieces which are hand-numbered and available only in vinyl. this new release is from a young and talented bremer artist named playmodul and it also marks his début on zckr records. he has been a core part of the zckr label from its birth, which has bloomed in this hanseatic city. playmodul performs powerfully both live / djsets at his favourite house/club: the zucker. his deebut single from zckr records starts with the ep canula, a wonderful dream journey between electronicfields and deep waters.

a message from claude vonstroke: >sascha braemer has got the funk! i first heard him on the amazing thrill on kindisch which i charted in my top 3 tracks of 2008. after that i heard the even more amazing heinrichs and hirtenfeller album dark orbit, (my favorite album of 2009) on highgrade. i usually like to break new dirtybird artists but this time i had to go find this guy and beg him to make us something. sascha has got that tech-funk, caveman quality that is so elusive and hard for me to find as an a&r. and on this record you will hear why i went and found him. this is an absolute beast! both tracks are tried and tested club killers. truthfully, i cannot think of a better dance-floor record on dirtybird this year<

following the shock success of t. williams >heartbeat<, voted #3 dance track of the year by us itunes, local action returns for 2011 with the debut 12 inch by contakt.
contakt hails from the midwest, but now lives in new york, where he helps run the acclaimed turrbotax® parties. the sinden-championed >not forgotten< is an ideal introduction to the balance he gets between detroit techno and contemporary underground club music, with huge galloping drums and fiery synths, while the b-side is dedicated to a stunning remix by rolando (underground resistance / ostgut-ton), and a real sleeper hit in the dark, stabbing >rhodophyta<.

huge booty action on prohibited feat club reworks of the hits gramaphonredze and >sunglasses at night< not to be missed!

mad mats cult label has garnered a richly deserved reputation for releasing a formidablle catalogue of killer club music over the years, be it edits, reworks, remixes or original material.
gamm065 brings us three more heavyweight r&b & soul re-dos. marvin gaye, musiq soulchild and r kelly get the surefire gamm treatment, primed and ready for the floor. get on board!

another stars is a new interpretation of the all time classic by steve wonder that was already re--vamped by salome de bahia & roger sanchez back in the day we couldnt say no to this 2011 versions for a purple music release.a choise of 4 mixes all perfectly harmonized with the superb vocal performance of myles sanko, vocalist of the english funk/soul group bijoumiyo, who gives his best to bring this production to a high level. produced by pagany & roby arduini who have been responsible for a lots of the biggest european club hits: such as cappella, 49ers, anticappella, superstar djs, su su bobien, house bros and remixers of the memorables kaya, king unique, hatiras, jakatta, de lacy, innervision... also essential team-up and productions for artists such as kym mazelle, barbara tucher, taka boom, su su bobien, joy malcolm: absolutely enough to proove their musical knowhow in the club music scene. fantastic job

top russian dj teams with honcho abe duque for stellar dark house and techno three tracker. initially created on moscows >club on the roof< this ep begins and ends any night. limited in nature and a limited 300 pressing only.

incl live mix by ataneus! and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

calagad 13 is a spanish deejay / producer involved in the bboy breaks / funk / old school hip hop scene. he owns a versatile style and his sessions are ranging from rap, funk and dancehall to electro, nu skool breaks and jungle. his name on a club flyer means party.

and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

wieder können wir beruhigt sagen: wirklich tolle lp zwischen house, techno and listening. glückwunsch die platte fühlt sich im club sowie auch aufm heimischen sofa sehr wohl. das liebevoll handmade artwork bei der erstpressung rundet die ganze sache ab. prädikat: wertvoll

diese edition enthält einen geheimen bonus track --> zu hören gibts den erst bei dir zuhause auf dem plattenteller!
wieder können wir beruhigt sagen: wirklich tolle lp zwischen house, techno and listening. glückwunsch, die platte fühlt sich im club wie auch auf dem heimischen sofa sehr wohl. das liebevoll handgemachte artwork bei der erstpressung rundet die ganze sache ab. prädikat: wertvoll

einen abwechslungsreichen soundtrack für die vielen facetten, die eine spaßige nacht oder auch ein spaßiger tag im club zu bieten haben, präsentieren die herren kottlet & zadak passend zur kalten jahreszeit. just wait entwickelt eine minimal gehaltene, düstere und mysteriöse spannung, die sich schließlich in einem stehenden subbass entlädt. dessen vom ohr nicht mehr wahrnehmbare anteile erzeugen eine wonnige resonanz an der bauchdecke, die sich mit öffnendem cutoff über den rücken bis hinauf an die schädeldecke ausbreitet. freundlich, hell und auf anregende weise dennoch einlullend kommt danach der titel sunday daher, der in zusammenarbeit mit soukie & windish entstanden ist. mollono.bass lässt das im original humorvoll angesprochene arbeiten am montag mit seinem remix in geradezu phantastische ferne rücken: dubbige echoeffekte und eine extra portion verträumte melodie erwecken den eindruck von fortgeschrittenen stunden. doch auch die schwitzige stoßzeit einer party kommt nicht zu kurz: mit pulsierendem basslauf, dichten percussions und einem deutlichen anflug von swing vor einer soundkulisse, die an einen exzentrischen trickfilm erinnert, erfüllt hut ab alle anforderungen für das, was man landläufig als kracher bezeichnet.

big electrohouse / progressive house bomb !

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.